Showing posts with label flat characters. Show all posts
Showing posts with label flat characters. Show all posts

Sunday, August 12, 2012

41-43. Kobo romance freebie reading spree

When I first bought my Kobo Vox I rushed to take advantage of the free books available.  They generally fell into two categories: lengthy classics and Harlequin-type romances.  This weekend I decided to move some of those romances from the "to-read" shelf to the "read & done" shelf.  Here's the list:

The Bride's Baby by Liz Fielding
Mercenary and the Marriage Vow by Doreen Roberts
Perception by Angela Verdenius
Once a Cowboy by Linda Warren
Hide in Plain Sight  by Marta Perry
Dancing in the Moonlight by Raeanne Thayne
Baby Bonanza by Maureen Child
Baby, I'm Yours by Stephanie Bond
Speed Dating by Nancy Warren

Most of these titles follow the standard formula for Harlequin books: Contentious first meeting, instant lust, sudden unexpected feelings of love on her part, refusal to admit feelings on his part, numerous misunderstandings, angst, and in the final pages they actually talk, realizing they could have solved all this and got on with their lives on page 5, and happily ever after.  Sometimes this can be an enjoyable 1-2 hour long read but often I finish shaking my head and eyes sore from rolling so much. Clichés, sickly-sweet sentiment, ridiculous misunderstandings.  I find that unless there is a substantial plot to accompany the romance story I become close to infuriates with  the man-handling, controlling behaviour and refusal to have a honest conversation.

I'll add to this list the Loveswept romance: I Do by Mallory Rush a.k.a. Olivia Rupprecht.

Mostly because I don't think it deserves it's very own post.  In the case of  I Do, I fell victim to the ever popular 'replacement cover'.  Always one to be intrigued first by the book cover, I saw this and figured...why not?
After reading the book I had a suspicion so I googled the book and located THIS!




SOL--He Promised Her Forbidden Pleasures.... 
He'd nearly died in a foreign land, and in a moment of madness he'd married the woman whose letters had given him a reason to live. But when Sol Standish faced his bride for the first time, he knew he should release her from her vows. Mariah Garnet trembled when her husband stepped off the plane, wildly excited at meeting Sol, but deeply ashamed of the deception that had made her his wife.
Irresistible Temptations
Innocent, passionate, unrestrained in her hunger for the sensual gifts he offered, Mariah was a mystery Sol itched to unveil, but was her reckless courage strong enough to heal a man whose scars ran so deep? Desperate for the trust of his wanton angel, Sol demanded the truth she'd kept from the man who shared her soul. Could he make her believe he'd let no one take her from him, that she was his answered prayer
SOL is his name...and he does start out in the book thinking he actually is Sh*t .Outta .Luck.

I read this book and thought that I may injure myself from the almost constant eye-rolling.  Such cheesy lines and that old story...almost underage girl, innocent and sweet falls for older, hardened, dominating man.  I actually laughed out loud a few times over utterings such as "He realised he was the wind beneath my wings" blah blah

...okay.  All complaining and making fun aside, I admit I did read the whole thing.  In one sitting.  And it was kinda fun.  If you can embrace or even revel in the cheese factor then I Do is actually a bit of fun!

Wednesday, July 18, 2012

29. Family Tree by Barbara Delinsky


When a white couple gives birth to a baby with distinctly black features, a family is thrown into turmoil. Hugh Clarke, born into a pedigreed New England family that can trace its roots to the Mayflower, devotes his professional life to championing minorities but is blindsided by his daughter’s color. He urges his wife Dana, whose heritage is unknown, to start digging for answers. Dana adores her baby and resents her husband’s demands. Unearthing her family’s past raises issues for her that go well beyond that of her daughter’s racial mix.
Hugh’s father, Eaton Clarke, a renowned writer, anxiously awaits the results of Dana’s search. Eaton is weeks away from releasing a book based on his well-documented family tree, and will be discredited as an historian if the very foundation of his book is undermined. To make matters worse, his wife, Dorothy, is taking an uncharacteristically independent stand with regard to their newest granddaughter.
Family Tree delves into issues of trust, honesty, privilege, and identity. It debates the way people define ourselves, and explores the duplicity of political correctness and personal prejudice.


The basis of the book has so much potential.  How would any of us react if our child was born looking so different from any of out family?  How would our friends and family react?  what hidden prejudices would we encounter?  

I enjoyed this book while I was reading but a few things stood out enough to bother me.  Hugh's initial reaction to the appearance of their child seemed understandable and the strength of his defence for his wife's faithfulness to his own parents was wonderful to see.  And yet, he doesn't seem to understand why Dana is upset when he continually insists on a paternity test to prove the truth to his parents.  His almost desperate need for Dana to track down her unknown father and find an explanation was relentless and didn't seem to match with who he was show to be elsewhere in the book. The issue of trust played a huge role in this novel.


Hugh's parents were unsympathetic and stereotypical as the stuck-up, social climbing rich couple whose main concern in life is what others would think of them. For such two dimensional characters, they had a huge influence over their son's actions.  There were several minor sub-plots that interwove throughout but most were not fleshed out and many were unresolved at novels end. While they were not essential to the main story, the failure to follow then to some end made the novel feel choppy at times. I think this story could have been told with more depth and focus on the underlying issues and motivations of the characters and less reliance on their initial reaction to the appearance of the child. Only Dana and Hugh seemed to evolve somewhat past the knee-jerk reactions they have. A good read as long as you don't think too much or expect much of the characters.